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Michelino
03-10-2007, 11:34 AM
Just saw a couple of cuts from Wynton's new album on the CBS Morning show. (http://www.cbsnews.com/stories/2007/03/10/earlyshow/saturday/secondcup/main2555737.shtml) Wow!

This album looks to be the musical exclamation point at the end of his legendary January 2006 speech at Tulane. (http://www2.tulane.edu/marsalis011606.cfm)Could be one of his best yet and maybe because it is driven by his passion for the New Orleans recovery effort and what it signifies for the problems in America.

From the Plantation to the Penitentiary" is a politically-charged quintet album of all new compositions by Marsalis. It features a rare spoken word vocal performance by Marsalis titled "Where Y'All At."

"There is a lot of talk about what should be done to fix America, and a lot of ideas, but really, what are any of us actually doing?" Marsalis writes in the liner notes for the album. "I'm talking about us. Me included. We're just sitting by waiting for somebody else to clean our house. They're not coming. Where are we at? "


Wyton raps (!) and takes us all to task...including so many of my generation that seem to have retreated into suburbia with a "Well I tried that years ago" attitude toward the activism that is necessary to really get the restoration of the New Orleans region and wetland underway. So if you are the type who doesn't like to find a message in your music...best get ready to cover your ears again.

Other reviews
Tuscaloosa News (http://www.tuscaloosanews.com/article/20070309/TUSK02/70308022/1005/SPORTS0106)
Washington Post (http://www.washingtonpost.com/wp-dyn/content/article/2007/03/08/AR2007030800632.html)

A good interview with Wynton Here: (http://www.bendweekly.com/news/3331.html)
On the song "Find Me," Marsalis writes from several points of view, including that of men, women and both the homeless and the affluent, as they observe each other on a city street. Then there's "Where Y'All At?," which he wrote following Hurricane Katrina's devastation of his hometown of New Orleans. The song is an elegy for his beloved Crescent City and a lament about the government bungling that has stalled its recovery.
"That was an interesting thing that happened on American TV after Katrina, with all these people asking: 'Have you seen so and so?'" Marsalis said. "It was like a spiritual return to slavery: 'Have you seen my grandmother? My father? My uncle?'"

And follow that link to read where he really goes after the vacuous Hip-Hop culture.

UncleFester
03-10-2007, 11:47 AM
i'd agree with you in that this release may be one of his best yet. i saw him live in november 2006 and he played several songs off it.

Michelino
03-10-2007, 03:35 PM
From the NYT: (http://www.nytimes.com/2007/03/05/arts/music/05choi.html?_r=2&pagewanted=2&oref=slogin)
From his landmark album “Black Codes (From the Underground)” through his Pulitzer Prize-winning oratorio “Blood on the Fields,” the trumpeter Wynton Marsalis has always found avenues for social critique. But his new quintet album delivers a fresh jolt to the system, by blowing apart the refuge of allegory. Oh, and he raps. But we’ll get to that.

Mr. Marsalis delegates most of the album’s vocal duties to a remarkable newcomer, Jennifer Sanon. Singing in a clarion tone with minimal vibrato, she projects a timbre not unlike Mr. Marsalis’s trumpet, carrying the album the way that Abbey Lincoln carried Max Roach and Oscar Brown Jr.’s “Freedom Now Suite.”

But that was a cry for civil rights; what troubles Mr. Marsalis is the state of civility itself. His lyrics disparage a culture of heartless poverty, chic misogyny and rapacious greed. He delivers the sharpest jabs himself, quasi-rapping on a track called “Where Y’All At?”:

All you ’60s radicals and world-beaters
Righteous revolutionaries, Camus-readers
Liberal students, equal-rights pleaders
What’s goin’ on now that y’all are the leaders?

Don’t be fooled: Mr. Marsalis still has no amicable feelings for hip-hop, the genre his lyrics elsewhere deride as “ghetto minstrelsy.” But while this album builds on blues and jazz traditions — by way of a band that has studiously conquered them — it also hungers for relevance.

“You got to speak the language the people are speakin’,” barks Mr. Marsalis, “ ’Specially when you see the havoc it’s wreakin’.” But he seems aware that fighting fire with fire, in some cases, might only fuel the flames. NATE CHINEN

UncleFester
03-10-2007, 04:53 PM
i'd agree also about singer jennifer sanon. she sat in on several songs- plus they did bye bye blackbird for the encore together and several other standards.

Michelino
03-10-2007, 05:48 PM
i'd agree also about singer jennifer sanon. she sat in on several songs- plus they did bye bye blackbird for the encore together and several other standards.

Sounds good. Gotta catcha it somewhere. Did they do "Where Y’All At?” I want the man to rap some sense into me and the crowd.

We love Wynton in this household. Two best performances of his that we've been to were the 2002 Jazz Fest set at Congo Square and a performance of Griot, New York with the Garth Fagan Dance troupe here a couple of years ago. This sounds like it would join those.

UncleFester
03-10-2007, 07:22 PM
wynton is great, classy and very personable right now. he did a little rap, a little spoken word, a little talking with the audience and to some of the kids too. he sat down for a good part of the performance which seemed odd. his pianist is incredible. catch him while you can. i am a big fan too.

Michelino
03-10-2007, 09:24 PM
Wynton's clip is now on-line (http://www.cbsnews.com/sections/i_video/main500251.shtml?id=2556217n)